Wednesday, October 14, 2015

Autumn: A Little Scrapbook in Art

As we're just approaching the middle of October, and thus the center of autumn, I thought it was time to pull out the next in a series of posts I've been doing: the scrapbook in art posts. The previous ones include snow, rain, and summer. Basically, I take a season or natural phenomenon, and I find poems, stories, songs, paintings, and other artworks that I like that depict that thing. It's not meant to be an all-encompassing scrapbook, just a few works of art to get you in the mood of the season/weather.

So today, I'm collecting some of my favorite art works that remind me of autumn. Here you go:

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To Autumn by John Keats

Season of mists and mellow fruitfulness, 
  Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless 
  With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees, 
  And fill all fruit with ripeness to the core; 
    To swell the gourd, and plump the hazel shells 
  With a sweet kernel; to set budding more,
And still more, later flowers for the bees, 
Until they think warm days will never cease,
    For summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store? 
  Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor, 
  Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep, 
  Drowsed with the fume of poppies, while thy hook
    Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep 
  Steady thy laden head across a brook; 
  Or by a cider-press, with patient look,
    Thou watchest the last oozings, hours by hours.

Where are the songs of Spring? Ay, where are they? 
  Think not of them, thou hast thy music too,--
While barred clouds bloom the soft-dying day, 
  And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn 
  Among the river sallows, borne aloft
    Or sinking as the light wind lives or dies; 
And full-grown lambs loud bleat from hilly bourn; 
  Hedge-crickets sing; and now with treble soft
  The redbreast whistles from a garden-croft, 
    And gathering swallows twitter in the skies.



"Full Moon" by Paul Klee


"Willow Tree March" by the Paper Kites

The morns are meeker than they were by Emily Dickinson

The morns are meeker than they were - 
The nuts are getting brown -
The berry’s cheek is plumper -
The rose is out of town.
 
The maple wears a gayer scarf -
The field a scarlet gown -
Lest I sh'd be old-fashioned 
I’ll put a trinket on. 
 
 
"The Fairest of the Seasons" by Nico covered by Laurena Segura 


"Moon Magic" by Jana Heidersdorf
 
Too Late by me
 
Once again
You didn’t do anything

And now the summer is gone.

Even the Fall is almost over.
You’d said you’d go apple picking, leaf watching.

Now there’s nothing left to look at.

The bare branches, the wind…
You must stop looking and start seeing.

You must see the sunsets, the dusk.

The fleeting fire of clouds that disappear
Before you can make poems of them.

You must see the sparrows, geese, circling hawks.

You must see the leaves with enough colors
To hide a nebula in their skins.

Begin to walk in the woods in the mornings.

Pray to the trees. You are lost and the forest
Has found you. Leave the artificial light of the indoors.

Walk out into the cold. It’s not too late for you.

 

"The King of the Forest" by Evgeni Dinev

Nothing Gold Can Stay by Robert Frost

Nature’s first green is gold, 
Her hardest hue to hold. 
Her early leaf’s a flower; 
But only so an hour. 
Then leaf subsides to leaf. 
So Eden sank to grief, 
So dawn goes down to day. 
Nothing gold can stay. 

 
"Autumn" by Bombay Bicycle Club

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There are many different facets to autumn. I think the art I chose to display here depicts a couple of them. I hope you enjoyed reading through these.
Thanks for reading,
Ariel

Wednesday, October 7, 2015

Rain in My Poetry

Hey! Sorry this post is even later than usual- I forgot that I have a blog. :)
Anyway... so today in my poetry class we were discussing Emily Dickinson. I WILL REFRAIN from excessively fangirling over Emily Dickinson. The point is that we discussed her by having each of us pick a theme, image, or motif, and then finding three poems of her with that motif and seeing how she employed it in all of them. It was really cool. I picked insects, for example. Other people picked beauty, death, dust, flowers, bees, and more. By doing this, we got an interesting insight into her poetry. I'm too tired to give a good literary explanation, but sure, "interesting" should be sufficient.

I'm not saying I'm anywhere as good as Emily Dickinson. But I thought it would be a fun blog post to pick a motif from my poems and track it over the years. So, not quite the same, because you'll mainly see how I progressed as a poet over the years, and the motif I'm picking is more of a subject matter for the entire poem, but... whatever. It's fun.

(NOTE: No matter what I do, the formatting/spacing here is awful. I try to fix it and Blogger simply ignores me and pushes the spacing back to the way it was. So... Ariel's War with Google rages on. Sorry about that.)

I love the rain, so I decided to look for one poem from every year I've been writing poetry that is about rain. I don't have anything about rain from seventh or eighth grade (at least, nothing that I can find easily on this laptop), so let's start with ninth grade.

Rain

And it rained.

Against the grey sky
and the impossibly scorched landscape
Longing, for ever too long
To be quenched of its thirst

A drizzle at first
Though it could not be seen
The earth reached for the sky
Which had opened again at last
For the long-awaited day
Had finally arrived.

Oh, never had rain been this way
And the ground broke through with flower
And perhaps the flower
was not of the same variety as the
Rose, or the daisy
But rain makes the most beautiful flower
From the stem

For the beauty
Is in the rain
The rain, which never knew
Of the flower arising from the earth
Until that day
When it ran from the sky once more

So... yeah. This poem uses rain as a very heavy-handed metaphor for, like, someone falling in love again, or receiving inspiration, or whatever. It's not very specific on that front. You can also tell that I thought that poetry needed to have super long and flowery sentences that sound like a ninth-grader trying to imitate Shakespeare. (Gee, I wonder why it sounds like that). My ninth-grade self, the pseudo-intellectual, is pretty evident here.

Let's move on to my tenth-grade self. The depressing emo year.

Give Me Rain


RAIN

Storming drumbeats

Passionate, flying, wildly dancing raindrops

Thunderclaps 

like heartbeats

Lightning

Is electricity pulsing through my soul

My dark,

violet, copper-colored night air

Dark sky

Soul

Crackling with lightning and thunder

And dancing to the raindrops

Trees, tossing their heads wildly

Can’t they have one last dance

Before they’re cut down

To make room for 

Suburban lawns and strip malls

God, give me rain

Give me wind

Give me stormclouds

I long for the nights where I lay awake

Eyes wide open

To dance with raindrops

I want to fall asleep

To the lullaby of softly pattering rain

And drizzling, dripping drops

And wake to a haze of muted green and blue

Sidewalks with worms scattered

Like the pieces of my soul 

and my hair

and the leaves on the trees

Before they are all packed

neatly back into their

summertime box

One last dance

Give me one last rainstorm

Rain

Give me rain



This one is pretty intense. It's also way better than the first one. There's more than a year's worth of poetry-writing between them (the first one comes from the beginning of ninth grade, and this one is from near the end of tenth grade). I was angry and passionate in tenth grade- almost all of my poems were about some sort of rebellion. So it makes sense that my love for rain manifested in a poem about a thunderstorm.
Eleventh grade brought more changes...
Rain Song
Like a ragtag group of musicians
on an afternoon city street.
Shhhh....
Snap-snap-snap-
snap-snap.
Rush the silver needles,
like piano notes,
to the green pines,
and then an overabundance of spring-scented air
as the molecules
snap-snap-snap 
and from the fertile earth we grow.
Inside of us is a dazzling spectrum
of colored light,
but to the eyes, you can only see our green music.
And we all sing, sing, sing
with the spring rain.
Everything is alive,
moving,
from the sky to the earth,
from the leaves to the air,
from my heart to my mind,
from my pen to your eyes.
Snap, snap, snap,
neatly break all your insecurities in two,
into a million pieces,
you can't destroy matter but you can hydrolyze it enough
until it's made up of rearrangeable atom-letters
and you're healed.

Soft song at its end,
whisper drops of water to me,
slowly dripping, drinking raindrops,
as I wait for the sunlight to find me again,
and to tentatively sing on my own.

Eleventh grade was the year I took AP Bio, and became fascinated again with the natural world. The first stanza hints at being from the point of view of plants. Then I refer to a human type of healing. I struggle with remembering junior year. It was a year of healing for me, but not permanent healing. I thought I had "hydrolyzed" whatever was wrong with me, but it snapped back together like molecules do. Still, it was a year in which I wrote many powerful poems, referencing science, and here I finally use rain as a metaphor for rebirth. It's a good poem, but I wish I could trim it down. I wanted to present the poems with all their flaws, though.

Senior year was a bit different. I wrote much less poetry, since I was no longer writing a poem every single day, like I did in junior year. I did write this poem about rain:


April Trusting
Nothing is hidden from the late April rain,
come silvering down from the bright white sky,
layers of light and water.
Soft sound, it falls like cloth,
like gentle thoughts on the edge of the walls,
bringing the dream to drift away from you
like a shadow.
The sky opens up like a portal 
to all the April rains of ever.
Because April wears a dress made of memories,
all falling off in a cascade of water before she goes to sleep.
On the shiny grey school roof,
like it's been falling in my heart forever.
Hanging as crystals, almost snow, on the end of a pine branch,
in the courtyard,
suspended like this day of rain
soon to fall and dissolve into forgotten-ness.

And April's trusting
as she shakes the flowers out of her hari,
gathers your heartsongs in her breast,
sings like a little bird who rejoices at the rain.
April paints this day for you,
waits, this day, for you,
hair tangled with rain like your bejeweled insect-screens.
She sings softly, whispers her secrets to you,
brings you into the first spring you ever remembered,
and the next and the next forevermore.

April rains.
April rains and watches my joy and my sorrow.
White sky, thin silver rain, a light like the music
of dreams' wings as they wait on the windowsill.
Everyone's waiting on the windowsill.
I'm waiting on the windowsill, looking through the sheen and the curtain,
into a room with a radiator all lit up with my happiness,
even as the rain washes away everything left of it.
Into the street who sang and danced outside the classroom window.
Into the rising earthly air, coming from the crocuses in the forest,
soft and slow and colored with hope,
later again to die and be washed away.
Into whatever first April rain anchored itself to my skin,
so forever I would wish to return to it.

April trusting. Rain to trust in. Water falling,
like the tears of goodbye,
bringing everything right to me, both the laughter and the pain,
and the water just to wash it all away.

One thing I really like about reading my own poetry is that I know the story behind each poem. I remember when, where, and why I wrote each of the poems above: a windy afternoon in ninth grade, thinking of how returning to school made me feel; a violent stormy night in tenth grade, angry at the world; sitting in statistics class in eleventh grade and listening to the rain; and this one, sitting in my bedroom, remembering the entire day of rain. This poem has a lot of beautiful lines and intricate ideas, but it's not something another person could read (sorry for making you guys suffer, haha). It's a snapshot of a time in my life. I refer to this in the poem, talking about the ephemeral nature of time, how it slips away. And yet with each of these poems that I read, time feels less linear and more fluid, like I can move back and forth, travel on a train of words.

The last poem here is from freshman year of college, last year. I wrote it for my class, Eco Poetry, for a project on the seasons. It's been featured on this blog before.

Water Returning


Drink up!

Up into the leaves,

where snap- snap- snap,

you break each molecule in two.

 

Snap, snap, snap,

I rain
out in the parking lot.

More like fire

in the woods,

on the old dead leaves.

 

Wake up!

What a thing to hear

when you come out of dormancy,

the pouring of clouds,

trickling down

for you to take.

 

After the frozen, freezing turmoil,

to see me liquid again-

how do you trust all winter
that I will return?

This poem is not a little snapshot of my life. I learned to stop squeezing my poems full of my own turmoil. While turmoil and your own emotions and individuality are essential for poetry, poetry needs to also be relatable to others, if you want anyone else to read it. In this poem, I consider rain as what it is: a natural phenomenon. But I'm not emotionally detached from it. My connection to rain is still here, yet I also consider the connections of the rest of the earth to rain. And as such, the poem is shorter, easier to read, flows better.

So, there you have it. I hope this wasn't too difficult to read, considering all my lengthy sentences and phrases from high school poems. I thought it was an interesting exercise. If you're a writer, I recommend doing this with your own work. 

Thanks for reading,
-Ariel